Ann Righey:当专著不再是媒介:网络时代的历史叙事

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进入专题: 网络时代   历史叙事  

Ann   Righey  

   “Merely, Telling Stories? Narrative and Knowledge in the Human Sciences”, Poedtics Today 21, no. 1(2000), pp.293-318. The Narrative Reader, ed. Martin McQuillan, London: Routledge, 2000.Narraive Theory: Critical Concepts in Literary and Culural Studies, ed. Mieke Bal, 4 vols, London: Routledge,2004.Routledge Encyclopedia of Narrative Theory, ed. David Herman, Manfred Jahn, and Marie-Laure Ryan, London: Routledge, 2005.

  [6]Hayden White, “The Value of Narrativity in the Representation of Reality”(1980), in The Content of the Form: Narrative Discourse and Historical Representation, Baltimore: Johns Hopkins University Press, 1987, pp. l-25. Alan Munslow, Narrative and History, London: Palgrave Macmillan, 2007.

  [7]F. R. Ankersmit, “Six Theses on Narrativist Philosophy of History”, in History and Tropology: The Rise and Fall of Metaphor, Berkeley: University of California Press, 1994, pp.33-43. Espen Aarseth, “Genre Trouble: Narrativism and the Art of Simulation”, in First Person: New Media as Story, Performance, and Game, ed. Noah Wardrip-Fruin and Pat Harrigan, Cambridge, MA: MIT Press, 2004, pp. 45-55.

  [8]David Carr, “Narrative Explanation and its Malcontents”, History and Theory, vol. 47(February 2008), pp.19-30.

  [9]Mieke Bal, Travelling Concepts in the Humanities: A Rough Guide, Toronto: University of Toronto Press, 2002. Miede Bal, “Working with Concept”, European Journal of English Studies, vol.13, no. 1(2009), pp.13-23.

  [10]Miede Bal, “Working with Concept”, European Journal of English Studies, vol.13, no. 1(2009), pp.13-13.

  [11]Ann Rigney, “Narrativity and Historical Representation”, Peotics Today, vol.12, no.3(1991), pp.591-605.

  [12]Stephen Greenblatt, Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Oxford: Clarendon Press, 1988. Stephen Greenblatt, “Culture”, in Critical Terms for Literary Study, ed. Frank Lentricchia and Thomas McLaughlim, Chicago: University of Chicago Press, 1995, pp.225-232.

  [13]Marshall McLuhan, The Gutenberg Galaxy: The Making of Typographic Man(1962), New York: Signet, 1969.

  [14]Henry Jenkins, Convergence Culture: Where Old and New Media Collide, New York: New York University Press, 2006.

  [15]Marshall McLuhan, Understanding Media: The Extensions of Man, New York: McGraw Hill, 1964. Martin Lister et al., New Media: A Critical Introduction, London: Routledge, 2003, pp.73-92.

  [16]Carolyn Marvin, When Old Technologies Were New: Thinking about Electrical Communication in the Late Nineteenth Century, Oxford: Oxford University Press, 1988.

  [17]Roman Jakobson, “On Realism in Art”(1921), in Language in Literature, ed. Krystyna Pomorska and Stephen Rudy, Cambridge, MA: Belknap Press, 1987, pp. 19-27.

  [18]Lisa Gitelman, Always Already New: Media, History, and the Date of Culture, Cambridge, MA: MIT Press, 2006. Friedirch A. Kittler, Gramophone, Film, Typewriter, transl. Geoffrey Winthrop-Young and Michael Wutz(1986), Stanford: Stanford University Press, 1999.

  [19]Ann Rigney, The Rhetoric of Historical Representation: Three Narrative Histories of the French Revolution, Cambridge, UK: Cambridge University Press, 1990, pp. 28-62.

  [21]Vivian Sobchack, The Persistence of History: Cinema, Television and the Modern Event, London: Rouledge, 1995. Natalie Zemon Davis, Slawes on Screen: Film and Historical Vision, Cambridge, MA: Harvard University Press, 2002.

  [22]Alan Munslow, Narrative and History, London: Palgrave Macmillan, 2007.

  [23]Ann Rigney, Imperfect Histories: The Elusive Past and the Legacy of Romantic Historicism, Ithaca, NY: Cornell University Press, 2001, pp. 59-98.

  [24]Hayden White, “Historiography and Historiophoty”, American Historical Review, vol. 93, no.5(1988), pp.1193-1199.

  [25]Narrative across Media: The Language of Storytelling, ed. Marie-Laure Ryan, Lincoln, NB: University of Nebraska Press, 2004.

  [26]Monika Fludernik, Towards a Natural Narratology, London: Routledge, 1996.

  [27]The New Media Reader, ed. Noah Wardrip-Fruin and Nick Montfort, Cambridge, MA: MIT Press, 2003, pp. 147-189.

  [28]Game Handbook, ed. Joost Raessens and Jeffrey Goldstein, Cambridge, MA: MIT Press, 2005.

  [29]Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media, Baltimore: Johns Hopkins University Press, 2001.Marie-Laure Ryan, Avatars of Story, Minneapolis: University of Minnesota Press, 2006.

  [30]Wolfgang Iser, Der Akt des Lesens: Theorie asthetischer Wirking, Munich: Wilhelm Fink, 1976.

  [31]Wulf Kansteiner, “Success, Truth, and Modernism in Holocaust Historiography: Reading Saul Friedlnder Thirty-Five Years after the Publication of Metahistory”, History and Theory, vo1.48, Theme Issue 47(May 2009), pp. 25-53.

  [32]Marshall Mcluhan, Understanding Me: Lectures and Interviews, ed. Stephanie McLuhan and David Staines, Cambridge, MA: MIT Press, 2004, p. 271.

  [33]Ann Rigney, “All This Happened, More or Less: What a Novelist Made of the Bombing of Dresden”, History and Theory, vol. 48, Theme Issue 47(May 2009),(点击此处阅读下一页)

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