Ann Righey:当专著不再是媒介:网络时代的历史叙事

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进入专题: 网络时代   历史叙事  

Ann   Righey  

   pp.5-24.

  [34]Roland Barthes, “La mort de l'auteur”(1968), in Lebruissement de la langue, Paris: Seuil, 1984, pp. 61-67.

  [35]Henry Jenkins, Convergence Culture: Where Old and New Media Collide, New York: New York University Press, 2006.

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  [39]Karal Ann Marling and John Wetenhall, Iwo Jima: Monuments, Memories, and the American Hero, Cambridge, MA: Harvard University Press, 1991. Robert Hariman and John Louis Lucaites, No Caption Needed: Ironic Photographs, Public Culture, and Liberal Democracy, Chicago: University of Chicago Press, 2007, pp. 93-136.

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  [53]Carl Becker, “Everyman His Own Historian”(1931), American Historical Review, vol. 37, no. 2(1932), pp 221-236.

  [54]Astrid Erll, Kollektives Gedchtnis und Erinnerungskulturen, Stuttgart: Metzler, 2005.

  [55]Andrew Hoskins, “Digital Network Memory”, in Mediation, Remediation, and the Dynamics of Cultural Memory, ed. Astrid Erll and Ann Rigney, Berlin: de Gruyter, 2009, pp. 91-106. Chris Anderson, The Long Tail: How Endless Choice is Creating Unlimited Demand, New York: Random House, 2007.

  [56]Lisa Gitelman, Always Already New: Media, History and the Date of Culture, Cambridge, MA: MIT Press, 2006.

  [57]Thomas Poell, “Conceptualizing Forums and Blogs as Public Sphere”, in Digital Material, ed. van den Boomen et al., pp. 239-252.

  [58]Lev Manovich, The Language of New Media, Cambridge, MA: MIT Press, 2001, p. x226.

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